Dancer of the Frigid Valley | Dark Souls 3 - de Wiki

Dancer of the Boreal Valley ist ein Bossgegner in Dark Souls 3.

 

Dancer of the Boreal Valley Information

The Dancer's form is that of a huge female-looking humanoid with impossibly long, slender limbs. "She" has silver plated armor running up and down her body, with a veil trailing from her head. Her head and neck are concealed by this veil, which is held in place with a twisted and gnarled crown. Also hanging from the crown is a metal grille, which covers the Dancer's face. The Dancer's intro cutscene shows her emerging from a portal in a stained glass window, then dropping down and slowly rising, with a flaming sword in her hand, to face the player. The Dancer moves slowly and vaguely, as if swimming through the air, but she will strike at the player with immense speed and precision. At first, this boss wields a flaming, curved blade in her left hand which she uses rapidly as a swinging and thrusting weapon. When her health is around 50% depleted, she will summon another blade, this one imbued with ash. The Dancer will then attack the player wielding one blade in either hand, using both weapons in combo attacks; she is more dangerous in this phase as a result.

• Phantom?? kann beschworen werden um dir im Kampf gegen diesen Gegner zu helfen. (Voraussetzung??). Phantom kann gefunden werden??
• Phantom?? kann beschworen werden um dir im Kampf gegen diesen Gegner zu helfen. (Voraussetzung??). Phantom kann gefunden werden??
• Dieser Boss ist/ist kein optionaler Bosskampf.

 

Fundort

• Found in a cathedral, located at the end of the High Wall of Lothric. After you defeated Aldrich, Devourer of Gods (or whichever Lord of Cinder you kill last you will be teleported into this room, the old women begs you to save Prince Lothric and dies (needs confirmation). She drops the Basin of Vows and 1000 souls. If you walk to to statue the cut-scene and the bossfight starts.
• You can trigger the fight extremely early on. Once you have spoken to the NPC in the church, and joined her covenant, you can proceed to kill her. This will drop an item, which you take to the altar behind her. Upon approaching the altar, the boss will appear.

 

Beute

• Seelen: NG (??), NG+ (??), NG++ (??), NG+3 (??), NG+6 (??), NG+9 (??)
• Sonstiges: Dancer's Soul

 

Kampfinformationen

• Schwäche gegen ?? Schaden.
• Stark gegen ?? , ?? und ?? Schaden.
• Schwachpunkt: ??
• Nutze ?? Item

 

Angriffe

Erste Phase (der Dancer führt ein Flammenschwert)
Angriffsname	Angriffsbeschreibung
Residual flames	Many of the Dancer's attacks with her flame sword leave scorching marks that deal damage if the player walks over them.
Triple hit & slam	The Dancer rapidly slashes her sword thrice, then slams in a slower attack.
Grab	The Dancer attempts to grab the player, impaling them with her sword if she succeeds. The hitbox of the grab is cone-shaped, narrowing as it gets nearer to her. Deals enormous damage.
Swing	The Dancer swings her sword in a diagonal motion.
Slam	The Dancer slowly slams her sword into the ground, has tracking.
Twirl	The Dancer stands up, before quickly swinging her sword in a short ranged 360 degree arc around her.
Thrust	The Dancer draws her sword back, then thrusts it forward in a straight line.
Fire thrust	The Dancer draws her sword back, then thrusts it forward in a straight line, shooting a jet of flame from its point.
AoE explosion	The Dancer raises a flame to her lips, then blows it to the floor, creating a medium sized area of effect blast around her.

 

Zweite Phase (Der Dancer führt ein Ascheschwert zu dem Flammenschwert )
Angriffsname	Angriffsbeschreibung
AoE ash cloud	The Dancer reaches into the ground to draw her second sword, creating a cloud of ash that does minor damage. The second phase will always begin with this attack.
Blade dance	The Dancer follows swings her swords in a series of vertical arcs, before finishing with a medium ranged horizontal spin attack. She will follow the player during this attack.
Slash, spin & double thrust combo	The Dancer performs two slashes in front of herself, followed by a short ranged spin attack, two more slashes, and then a forward thrust using both of her swords.
Slash combo	The Dancer performs a wide arcing horizontal slash, then follows up with a similar vertical slash.
Jump & spin combo	The Dancer readies herself, then jumps to the player's location. Upon landing, she creates a short ranged area of effect explosion, then follows up with a short ranged spin attack after a small delay. She will use this attack to close distances.
Dual uppercut	The Dancer swings both of her swords in an ascending arc in front of her, knocking the player into the air if hit.
Erupting ground slices	The Dancer drags her flame sword through the ground in a counterclockwise 180 degree arc, then does a similar clockwise cut with her ash sword. Shortly after each cut is made, it erupts with the element of the sword that created it, knocking the player into the air if hit.
Ash AoE	The Dancer thrusts her ash sword into the ground halfway to its hilt while releasing an ash cloud in a circle around her, then after a small delay thrusts it in further, creating another ash cloud. Both ash clouds inflict considerable damage, and it is possible to be damaged by both in consecution.

 

Strategy 1 (Melee)

The first phase isn't too difficult, despite the Dancer's intimidating movements. Due to the large size of her flame sword it is not recommended to dodge backwards, but in such a way that allows you to reach and hit her back. Wield your weapon two-handed and watch her sword, trying to get yourself behind it. If you dodge one hit of a combo, the remainder of the combo is unlikely to strike you. Beside her right leg is generally safer than beside her left one, since she wields her sword in her left hand. Her most damaging attack in this phase is her grab; if her free right arm moves slowly then you must move some distance from her, quickly. Do not be greedy with your attacks; you are unlikely to get more than two in before she counterattacks. After half of her HP is depleted move away and be ready for the second phase.

In the second phase things become more complicated; she is armed on both sides of her body and gains a powerful spinning attack. Do not attempt to block the entirety of her spin attack as she will certainly stagger you; abuse pillars and try to dodge some of it. You must play more reactively in this phase, as safely approaching her has become more difficult and remaining close to her is out of the question. Wait for her to perform an attack with a long ending animation, then hit her and move away again (being very wary of the delayed action on some of her magic effects). You have time to strike her once during the jump & spin combo, between the landing AoE and the circular slash (dodge backwards at least once after the attack). Continue patiently getting hits in and avoid endangering yourself and you will win before long. You may also use projectile consumables to damage her more safely, although in phase 2 if you distance yourself from her she will jump and reposition herself, which will also involve an attack.

Strategie 2 (Magie)

Beschreibung der Strategie folgt hier. Sei sicher bei Level, Waffen, Upgrades, und Taktiken. Gib deiner Strategie einen beschreibenden Titel

Geschichte

• Uses matching swords; one gold, one dark, similar to the Gold Tracer and Dark Tracer wielded by Lord's Blade Ciaran in Dark Souls 1, and wields them in the same hands. Also conceals her face, like Ciaran. These things seem to suggest a relationship between the two, and possibly that there are other characters corresponding to the Knights of Gwyn.
• Itembeschreibungen die in Beziehung zum Boss stehen.
• Geschichte über den Boss
• Dialoge

 

Videos

• Beispiel 1
• Beispiel 2

 

Anmerkungen & Trivia

• The setting of this battle is reminiscent to that of Bloodborne's Vicar Amelia, which is fought in the Healing Church's Grand Cathedral.
• Uses matching swords; one gold, one dark, similar to the Gold Tracer and Dark Tracer wielded by Lord's Blade Ciaran in Dark Souls 1, and wields them in the same hands. Also conceals her face, like Ciaran. These things seem to suggest a relationship between the two, and possibly that there are other characters corresponding to the Knights of Gwyn.

 

Bosse

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